He adds: вЂњI think Brian and I certainly felt that we knew what Freddie would have been thinking. so we sort of made the most of every moment and then really enjoyed it.вЂќ Because we knew that the situation was closing in on us and it was. But again, it was a very interesting process. Roger Taylor: вЂњIt was very weird working with Freddie's voice coming out of the speakers. YouвЂ™ve got to do it like thisвЂ™, you know? So my juices were working and I just dived in before I had time to think, and I took over some particular tracks. And of course, that's the trigger I needed because I hear what heвЂ™s done, and I go вЂno, no, no, don't do it like this. вЂњRoger made the first inroads and he took some of the tapes down to his studio and started working on them. вЂњSo I had a bit of sort of denial stuff going on and I think I was reluctant to get back into opening those boxes and dealing with Freddie's voice thereвЂќ, he adds. I just said, вЂLook, let's just talk about what's happening nowвЂ™.вЂќ I went out on my tour, solo tour, and of course, all that people wanted to talk about was Queen and Freddie's death and stuff, and I couldn't deal with it. They were made very much out of an awareness that Fred wasn't going to be around very long.вЂќД«rian May: вЂњI think I kind of dragged my heels, I think I went through a very extended grieving process really, because I kind of didn't want to talk about Queen. Roger Taylor: вЂњThings like вЂњA Winter's TaleвЂќ really came out of that, that sort of desperately ill stage. And it was tough to begin withвЂќ) and acknowledges it was Roger Taylor who provided the impetus for the process to begin and mentions the support they received from, among others, songwriter Carole King. In this latest episode of Queen's 'The Greatest' video series, Brian May talks about the process of healing that delayed the bandвЂ™s return to the studio (вЂќI think I was reluctant to get back into opening those boxes and dealing with Freddie's voice there. Another, вЂњHeaven For EveryoneвЂќ, started life as a song by Roger's solo project The Cross, on which Freddie had sung a guest vocal - and Queen's reworked version became the first single from the Made In Heaven project. Two tracks were revisited versions of songs Freddie originally recorded for his Mr. The resulting album, Made In Heaven, was the final chapter in the band's legacy with Freddie, and featured polished versions of songs they had never managed to finish before as well as tracks for which Freddie had laid down vocals prior to his passing, such as вЂњA WinterвЂ™s TaleвЂќ. In 1993, Brian May, Roger Taylor and John Deacon returned to Mountain Studios in Montreux, Switzerland, to work on finishing the tracks they had begun with Freddie Mercury during the early part of 1991. вЂA Rock And Roll AlternativeвЂ™: Atlanta Rhythm Section Hit The Mainstream.So You Think You Know Captain Beefheart? Quiz.When The Rolling Stones Got Censored On Ed Sullivan.While the 1992 Tribute Concert had been the perfect occasion for Queen fans and the band to come together and celebrate the life, the works and the dreams of one Freddie Mercury, for Brian, Roger and John there still remained some unfinished business. In the latest episode (Number 41) of 'The Greatest' video series, Queen's Brian May and Roger Taylor discuss the making of the band's legendary posthumous album, Made In Heaven. Queen-Made-In-Heaven-Greatest-Video-Series

Safe and sound different heaven